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New
Attitude There’s a special bond that forms between a car owner and a mobile-entertainment installer after the two have worked together over a period of time. But even the best of friends can try each other’s patience. Take installer William Bode and his good friend and customer Ronald Thompson. Not too long ago, Bode playfully threatened to sever all ties with Thompson if he asked Bode to redesign the system in his 1990 Volvo 740 Turbo just one more time. “I got tired of working on the same car over and over,” protests Bode, 34, who at the time had been operating out of his own backyard shop in Levittown, New York. (He’s since gone to work for FedEx, but fills in as a part-time installer at Ultrasound, a car-stereo shop in nearby Lynbrook.) “After you install different systems two or three times in the same vehicle, it gets boring,” he explains, “so I told Ron if he wanted to keep working with me, he’d have to get a new car.” And that’s exactly what Thompson did. The 37-year-old facilities manager for a national bookstore chain and resident of Bayshore, Long Island took his installer’s plea to heart and promptly sold his Volvo, bought a “gently used” 1994 Lexus GS 300, and then paraded his replacement ride directly to Bode the same day he drove it off the lot. “That changed my whole attitude,” Bode admits. “I remember thinking, ‘I can do all sorts of things now.’” Time wasn’t of the essence, however, as Bode started work on the Lexus system in December 1998 and Thompson picked it up about a year later. (In the interim, he drove his “plain Jane” 1986 Nissan 200-SX—with no radio.) “I didn’t want him to rush the install,” clarifies Thompson. “I wanted it to be perfect.” No -Change Changers Raising the center-console armrest reveals a plexiglas panel covering a pair of Dakota Digital gauges that monitor the voltage of the system battery and the temperature of the amplifiers in the trunk, fuse-status indicators for several components, and rocker switches that turn various system functions on and off. “If any piece of equipment isn’t working properly, that display tells me about it,” Thompson affirms. All of this is secured on an MDF panel that covers the center-console storage compartment. A 6 1/2-inch midrange and 1-inch tweeter from an MB Quart QM 218.61 Q component set are mounted in the kickpanel on each side of the car. The stock carpet was cut away and MDF and fiberglass pods wrapped in vinyl were attached to the stock kickpanels. Grilles were formed from MDF and metal mesh wrapped in grille cloth and finished with aluminum rings on the backsides. The factory tweeters in the A pillars were swapped for a pair of Oz-19 1-inch tweeters, and the stock grilles conceal them. The factory door speakers were also removed. A keypad in the driver’s-side location, similar to those used in older car alarms, serves as a valet switch. The passenger’s-side stock-speaker provision now holds a Dakota Digital gauge to monitor the battery under the hood. Equipment trays are sunk into the thick carpeting in the front floorboards, one on each side. “I didn’t know that carpet was that thick,” Thompson marvels. “No wonder the car is so quiet.” The trays were fabricated out of MDF and have removable Plexiglas tops trimmed with brushed aluminum and black paint. The inside of each tray was also painted black, and neon tubes highlight the inside. The right side holds the passive crossovers for the MB Quart speakers, while the left side holds a small tool kit. The original floor mats snap over the trays to hide them. The Lexus’ trunk
still boasts an impressive amount of space, but it came at the ex- pense
of the spare tire and jack. The empty spare-tire well in the trunk floor
was fitted with a rack made of MDF and plywood and finished in black Formica,
with vinyl on top. In the top of the rack are two Phoenix Gold EQ232 equalizers
behind clear Plexiglas. One EQ is used during sound-quality (SQ) judging
at sound-off competitions, while the other is for the real-time analysis
(RTA) and sound-pres- sure-level (SPL) evaluations. The SQ equalizer is
connected to an “umbilical cord,” and it can be removed so
that Thompson can tune the system from the front seat. A three-level rocker
switch in the center console switches from one EQ setting to the other.
The rack is fitted with hinges at the back and lifts by means of a linear
actuator to reveal the Alpine naviga- tion system’s CD-ROM drive
fitted inside the front lip. Thompson feels that the nay system gives
peace of mind when travel- ing. Below the rack is the 12-disc Alpine CHA-1214
CD changer and aJVC KZ-V1O VCR trimmed with black trunk carpet. An MDF
and Plexiglas pocket on the driver’s-side trunk wall holds a Stinger
SB 1000 battery and two Stinger 1-farad capacitors. A 3-inch fan at the
bottom of the pocket pushes potentially dangerous fumes out of the compartment
via a facto- ry trunk vent. The inside was finished with mirrored Plexiglas
and black paint. A matching pocket on the right side holds two Xtant amplifiers—a
lOOldx and a 2200ix. The amps’ covers were removed to accommodate
the tight mounting space. A smaller pocket next to the large driver’s-side
pocket holds a Stinger fuse block with fusing for the EQs, a video monitor
in the trunk lid, and the rear battery. Additional- ly, a Stinger power-distribution
block for the amps is in a panel on the back wall of the trunk, along
with a charging outlet that allows easy hook-up to an external power source
at shows. The audio signal for
Ron Thompson s 1994 Lexus GS 300 begins depending on which source is selected
at either the Alpine CVA 1005 multimedia station the Alpine CHA 5624 changer,
or the Alpine CHA-1214 changer. From there, it travels to the Alpine PXA-H510
digital signal processor and two Phoenix Gold EQ232 equalizers The signal
then passes to two Xtant amplifiers, a lOOldx (250 watts x 1 into 4 ohms)
and a 2200ix (100 watts x 2 into 4 ohms) The lOOldx amp s built in crossover
a plug in module handles signal routing duties for the three JL Audio
10W6 10 inch subwoofers that its host amp powers they get frequencies
of 70 Hz and down The three 6 ohm dual voice coil JL subs are wired in
parallel to the mono amplifier to create a 4 ohm load this way they each
receive 300 watts The Xtant 2200ix drives 61/2 inch midranges and 1 inch
tweeters from an MB Quart GM 218 61 Q component set in the kickpanels
as well as Oz OZ 19 1-inch tweeters in the A pillars. The amp’s
built in crossover limits the signal going to these speakers at 70 Hz
and up Then the signal runs through the passive crossovers supplied with
the Quart speakers which send 2 600 Hz and up to the tweeters and 2 600
and down to the mids Installer William Bode put a 6 dB per octave capacitor
in line with the Oz OZ 19 tweeters that limits the signal going to them
at 8 000 Hz and up One channel of the Xtant 2200ix powers the three speak
ers on the left side of the Lexus and the other channel powers the right
side, and each speaker gets 100 watts. Video signals from the Alpine DVA
5205 DVD player and the JVC KZ V10 VCR are routed to the Alpine CVA-1
005. It sends audio and video data to its own monitor and the Accele LCDP5C
5 4 inch monitor in the trunk lid Stinger wire was used throughout the
system. |
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